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thinw

THE THIN WHITE HANDS OF THE INVISIBLE

4 Improvisations for solo prepared piano: Virginia Aurora Scott 1992

Sample from Track 2: Study

 

 

 

 

Improvisation

'At the heart of music is improvisation. Improvisation in performance creating sound images.

It is extended in meaningful ways when two are contributing....interaction, spontaeneously developing sonic light and shade, freely, dynamically articulating the language of the piano, and exploring all possible textures of the moment. Skill, temperament, openess, listening, ebbing and flowing to shape time and space.Noise, silence, gesture, abstraction, physically approaching an intention, affirming the presence of sound, shifting restlessly, relentlessly through the crenilations of possibilites. A sound, a silence, a pitch, a rhythm, wood, felt and strings, forming a strange subliminal sojourn in a world of aural tectonics. We pause, we play and we live though a moment inside the energy of sound. We leave a trace in time, a whisper in the ear of now.'

Virginia Scott 1998

Projects

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INFINITE SPACES

1996: Rainer Bürck met Virginia Aurora Scott when he premiered her work "Terma" together with his piano duo partner Robert Rühle at the Huddersfield Contemporary Music Festival in November 1993. They stayed in touch, and in August 1996 they recorded a CD together at Kumara Studios Wales.

Instrumentation: 2 acoustic pianos in real time.

 

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ENANTIADROMIA

2010: Internet collaboration: Virginia Aurora Scott Composer/ Pianist and Andrew Keeling Composer/ Flautist produced 13th Moon- Enantiadromia: 13 tracks compiled at Exdefinite Inhibition Pod by Virginia Aurora Scott from improvisations created by Andrew Keeling and Virginia Aurora Scott via the internet.

Instrumentation includes: Digital Piano/ Mellotron and ambient samples, flute and acoustic guitar.